Ghostbusters Download

 



Ghostbusters Download ->->->-> DOWNLOAD (Mirror #1)



Three former parapsychology professors set up shop as a unique ghost removal service.



Download Formats: M4V, AVI, MTS, MKV, M2TS, 3GP, ASF

original title: Ghostbusters

genge: Action,Comedy,Fantasy

 

imdb: 6.5

duration: 1h 45min

tags: Let's get slimed one more time. [re-release]

budget: $30,000,000

keywords: ghostbuster, university, ghost, paranormal, scientist, paranormalphenomenon, paranormalinvestigationteam, ghostbusting, supernaturalbeing, haunting, possession, apartment, downtown, firehouse, mayor,


DOWNLOAD (Mirror #1)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

[-split044o32-addifp60x105x109x103x32x119x105x100x116x104x61x34x52x48x48x34x32x115x114x99x61x34-addifs34x32x47x62[NF_images]

Three odd-ball scientists get kicked out of their cushy positions at a university in New York City where they studied the occult. They decide to set up shop in an old firehouse and become Ghostbusters, trapping pesky ghosts, spirits, haunts, and poltergeists for money. They wise-crack their way through the city, and stumble upon a gateway to another dimension, one which will release untold evil upon the city. The Ghostbusters are called on to save the Big Apple. Peter Venkman, Ray Stantz, and Egon Spengler are three scientists at Columbia University in New York City. When their grant expires, the guys are fired and they go into business as a ghost extermination company called "Ghostbusters". Their first customer is orchestra cello player Dana Barrett, who was scared out of her apartment on the 22nd floor of a high rise apartment building on Central Park West. It seems that Dana's neighbor, Louis Tully, is also being affected by the strange happenings in the apartment building. Armed with proton guns, the Ghostbusters become wildly popular, and they are joined by Winston Zeddmore, who is looking for a job with good pay. Overzealous Environmental Protection Agency (EPA) agent Walter Peck thinks the Ghostbusters are frauds, and he has the Ghostbusters put in jail. Peck is forced to believe the Ghostbusters when New York City is put under siege by an ancient Sumerian God named Gozer the Gozerian, who is channeled through the apartment building that Dana and Louis live in, and the mayor has no choice but to let the Ghostbusters out of jail to face Gozer. without a dought the best movie i have ever seen im 16 years old now and i dont remember a time i havent loved the movie ghostbusters i dont know how old i was when i first saw the movie but i have seen it more times than i can count it is a great movie and if you havent seen it yet you should I suppose there is an idea at the core of Ghostbusters somewhere; a high-concept film, about a group of people essentially adopting the role of contemporary exorcists, that straddles some sort of often vacant place on a line that separates non-reality with what could feasibly happen if you were religious. It is a curious thing when a text attempts to handle that of demons, ghouls and ghosts. Deep down, I suppose, it is somewhat perversely pleasurable to convince ourselves of their existence. As years have passed, germs have replaced the invisible monsters that-once-were as the cause for illness; technology has been able to deduce whether or not haunted locales truly are as such while science; theories on evolution and modernity in general has done 'wonders' to disprove the idea that religion and so forth are as genuine as everybody thought they were for so long.

There was a line in the Tarantino-penned 1996 horror film "From Dusk til Dawn" when the anti-heroic lead states that "if there is a Hell", and that the monsters occupying an adjacent room "are from it", then there's "got to be a Heaven". Should the existence of ghosts, demons and whatnot run in tandem with the theory that there is a heaven and an afterlife? Probably, and yet in spite of all this sweeping modernity doing well to disprove the spirit world and the idea of an 'afterlife', there are still those who remain unconvinced of a ghost's inauthenticity; remain staunch that they've encountered one and remain adamant that the line between our world and the next not only exists, but is thinner than you think. One of the (admittedly, few) charms of the 1984 horror/comedy Ghostbusters is how it exploits the belief of that line while keeping everything as reigned in as it does. This is not, for the best part, an all-out horror film depicting nasty, invading spirits doing their utmost to invade a densely populated human locale, although it does descend into that by the end. Moreover, this is a clash of the old and the new; an unabashed depiction of hauntings and ghosts as very much real but a depiction of science and technology otherwise associated with disproving God; Heaven; Hell and reincarnation through spirit being used to counter said entities.

New York City must be one of the most populated zones in the world, but does that mean there'd be more or fewer ghosts there than somewhere largely vacant, such as that attic in an old, isolated English manor house from centuries ago located somewhere in the countryside. Regardless, the leads therein the film discover a fair few of them merely going about their routines in a manner that is underplayed and quite funny but, one senses, realistic to the cause should a large uncovering of spirits ever unfold. Ivan Reitman's film mixes the audacious with the bubble-gum, a depicting people coming into contact with spiritual entities although sadly never really learning anything nor becoming more enriched as a result of it. While the film is quite good fun and often funny, it comes across as too superficial to be anything wonderfully inventive nor much more than frivolously academic. It's often quite childish, even dull in places. Admittedly, where not every film of its ilk can be as good as "The Sixth Sense", where the presence of ghosts in a characters life leads to an enriched bond with a psychologist, Ghostbusters does hit the odd mark.

The film follows four New York City based men, two Caucasian; an African American and a Jew, who set up their own business in a disused fire station that specialises in ghostly phenomena. Initially, the men (still minus the African American) are ill-suited to the practical aspect of their work where the theory is all in the right place. Uncovering a poltergeist in a library archive, they can only run screaming for their lives when it turns uglier than they'd like. Buoyed by their experience, they have enough confidence to set up this business when a university cuts their funding and the enterprise turns into a ghost 'busting' organisation upon realising there's money in making the ghosts go away – a sort of supernatural pest exterminator. Among them is Bill Murray's psychologist Peter Venkman, a man whose womanising ways is evident in the opening and who remains largely sceptical on the whole library phenomena anyway where his partners do not. At the other end of the spectrum is Harold Ramis' Egon Spengler, a dry man and the most intelligent of the four who is too deep into his work to notice the affection shown towards him by their eventual receptionist. Somewhere in the middle is the "funny-as-Murray" but "as-good-at-his-job-as-Ramis" Dan Akroyd, who plays Raymond Stantz.

Narrative is, of course, superfluous in a film like Ghostbusters; its end-of-the-world routine, as Sigorney Weaver's Dana Barrett discovers a gateway into a doom-laden alternate dimension, is as nonsensical as it gets in a film which might otherwise have been quite intelligently theological. The true pleasures lie in the film's would-be tryst involving the ever-humorous Venkman and the delight in the way he shares his scenes with Weaver, although we do not come to observe much closure to any of it – nor indeed do we Spengler's with the receptionist. The film is more interested in cracking on with its primary tract of special effects and unexplained alternative universes which, one assumes, comes complete with their own dynamic structures but the likes of which are not explored here. But it remains difficult to get angry with the film because it has with it a boyish energy; it does the rare thing for an American blockbuster in actually trying to sell to you this U.S.P. innocently and fondly, as if it cares for it so much and wants you to share in this fondness. In the ever declining cinematic world of 'event' movies within which we live, that alone is justification for checking Ghostbusters out. With his deadpan delivery and snide quips, Murray more than holds his own amid the myriad state-of-the-art special effects. When three parapsychologists—Doctors Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd), and Egon Spengler (Harold Ramis)—are fired from their positions at New York's Columbia University, they decide to set up shop together and become "ghostbusters" dedicated to trapping ghosts and other nasty spirits. Unfortunately, they're mostly considered to be frauds, until an ancient Sumerian god, Gozer the Gozerian, takes up residence in the high-rise apartment of Dana Barrett (Sigourney Weaver), and it seems that only the Ghostbusters can save the Big Apple. The script for the motion picture Ghostbusters was written by co-stars Dan Aykroyd and Harold Ramis, who also wrote the sequel Ghostbusters II (1989) (1989). The film has been twice been novelized as Ghostbusters (1984) by Larry Milne and again as Ghostbusters: The Supernatural Spectacular (1985) by Richard Mueller (the movie's popularity also led to two animated television series, The Real Ghost Busters (1986) (later renamed Slimer! And the Real Ghostbusters (1988)) (1986-1991) and Extreme Ghostbusters (1997) (1997) as well as numerous computer and video games. A remake/parody, Ghostbusters (2016)—complete with new-character cameos of the original cast—was released in 2016. The Board of Regents decided to terminate their grant on the grounds that their theories were "the worst kind of popular tripe," their methods were "sloppy," their conclusions were "highly questionable," and they are all-around "poor scientists." Venkman in particular was accused of using his position with the Psychology Department as some kind of "dodge or hustle." The slime that was found in the library and other places that were haunted by ghosts is described as "ectoplasmic residue," a substance that is supposed to exist on the etheric (or spiritual) plane and can remain behind in the wake of a spiritual, i.e., ghostly, manifestation. The story provides no further explanation as to why it exists or how it seeps into the realm of the living. Perhaps it signifies amniotic fluid, in that spirits emulate birth when traversing the etheric plane.

It was sold by the jar in toy stores to children. Zuul the Gatekeeper, Gozer the Sumerian god of Destruction, and Vinz Clortho the Keymaster were all made up for the movie. However, following the release of Ghostbusters, fans made up a number of legacies, rituals and mythologies about them, none of which have any true history. The song is "Magic" by Mick Smiley. However, the answer to this question is frequently disputed by those complaining that the start of "Magic" as heard on the soundtrack album sounds nothing like the track used in the film. This is because the film uses only the second half of the song, which sounds much different from the first half. Start playing the track at about 2:20 in to hear it as it was in the film. Gozer gave the Ghostbusters a choice of the form Gozer will become as "The Destroyer". If The Ghostbusters thought and had chosen for example: The Joker from Batman, Gozer would reappear in that form to destroy them. The Ghostbusters had to clear their minds and not think of anything or anyone that would appear and destroy them. But Ray had thought of the Mr. Stay Puft Marshmellow Man and Gozer reappeared as the form chosen by Ray, which Ray believed couldn't possibly destroy them, as kids would toast marshmellows at camp fires and The Ghostbusters used their proton packs to zap at Mr. Stay Puft/Gozer and set Mr. Stay Puft/Gozer on fire. Ray's remark to Louis in the movie is "You have been a participant in the biggest interdimensional cross rip since the Tunguska blast of 1909!" First, the writers got the year wrong; the event occurred on June 30th, 1908. Ray's talking about a possible meteor strike in southern Central Russia that had a huge blast area. More info can be read here. After climbing up the 22 flights to the penthouse and going out on the roof, the Ghostbusters find that Dana (Sigourney Weaver) and Louis (Rick Moranis) have been transformed into Zuul and Vinz Clortho, two huge demonic dogs guarding Gozer's gateway. Slowly, Gozer comes sauntering through the gate. Ray orders her to stop all supernatural activity and return to her own realm. Gozer asks him if he is a god, and Ray stupidly replies, "No," so Gozer tosses all four of them across the roof, almost knocking them off the ledge. The Ghostbusters neutralize her with their proton packs, and Gozer disappears, but her voice can be heard ordering them to choose the form she is to take in order to destroy the world. Everyone tries to clear their minds, but an image of the Stay Puft marshmallow man pops into Ray's head. In that giant form, the Traveler comes walking down the street, laying wreck to everything around her. Egon suggests that they may be able to close the gate by zapping it with their proton packs and allowing the particle streams to cross. The plan is successful, Mr Stay Puft is reduced to great gobs of melted marshmallow crème, and Dana and Louis are released from their dog bodies. In the final scenes, the Ghostbusters emerge from the building to the cheers of the crowd, Dana kisses Venkman, and they all drive off in Ecto 1. For the UK television release, approximately six scenes were shortened and swearwords removed.

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